Seal-cutting

Seal-cutting is traditionally listed along with painting, calligraphy and poem making as one of the “four arts” expected of the accomplished scholar and a unique part of the Chinese cultural heritage. A seal stamp in red is not only the signature on a work of calligraphy or painting but an indispensable touch to liven it up.

Seal 3The art dates back 3,700 years to the Shang Dynasty and has its origin in the cutting of oracle inscriptions on tortoise shells. It flourished in the Qin Dynasty of 22 centuries ago, when people engraved their names on utensils and documents (of bamboo and wood) to show ownership or authorship. Out of this grew the cutting of personal names on small blocks of horn, jade or wood, namely the seals as we know them today.

As in other countries, seals may be used by official departments as well as private individuals. From as early as the period of Warring States (476BC-221BC) an official seal would be bestowed as token of authorization by the head of a state to a subject whom he appointed to a high office. The seal, in other words, stood for the office and corresponding power. Private seals are likewise used to stamp personal names on various papers for purposes of authentication or as token of good faith.

The whole set of seal

Seals reflect the development of written Chinese. The earliest ones, those of the Qin and Han dynasties, bear the Zhuan script, which explains why the art of seal-cutting is still called Zhuanke (Engraving) and also why the Zhuan script is also known in English as “seal characters”. As time went on, the other script style appeared one after another on Chinese seals, which may now be cut in any styles except the cursive at the option of the artists.

seal cutting 2

Characters on seals may be cut in relief or in intaglio. The material for seals vary with different types of owners. Average person normally have wood, stone or horn seals, whereas noted public figures would probably prefer seals made of red-stained Changhua stone, jade, agate, crystal, ivory and other more valuable materials. Monarchs in the old days used gold or the most precious stones to make their imperial or royal seals. Today Chinese government offices at the central level have brass seals as a rule, while offices at lower levels wood ones.

Seals cut as works of art would excel in three aspects—calligraphy, composition and the graver’s handwork. The artist must be good at writing various styles of the Chinese script. He should know how to arrange within a limited space a number of characters—some compact with many strokes and other sketchy with very few—to achieve a vigorous or graceful effect. And he should be also familiar with various materials—stones, brass or ivory—so that he may apply the cutting knife with the right exertion, technique and even rhythm. For the initiate to watch a master engraver at work is like seeing a delightful stage performance. Today, lots of Westerners are buying the zodiac ones with their names engraved in Chinese as souvenirs from China.

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